After a long absence from my studio, I find myself drawn back to portrait painting, and am seeking friends and acquaintances to sit for portraits, with priority for older and BIPOC sitters.
The project focuses on agency and consent, providing the sitter control over their portrait during all stages of its creation. Sitters will collaborate on the direction of their portrait, will receive all photos as well as their finished portraits, and may opt out of the project at any point, including the final show.
I hope to use this project to foster what writer and educator Robin Wall Kimmerer describes as a “gift economy“: in gratitude for sitters’ gifts of time and trust with their personal narratives, which help me improve my creative skills, I offer my art in return, building relationship through mutual generosity.
“Gratitude and reciprocity are the currency of a gift economy, and they have the remarkable property of multiplying with every exchange, their energy concentrating as they pass from hand to hand, a truly renewable resource.” — Robin Wall Kimmerer
Deer Woman
Deer Woman
Deer Woman.
Oil portrait on Masonite, 11 x 17″
Subject: Tiffany Van Peenen
Photo credit: Jane Irwin
Kyle and Jefferson
Kyle and Jefferson
Kyle and Jefferson
Oil portrait on MDF, 11 x 14″
Subjects: Kyle and Jefferson
Photo credit: Jefferson Kye


Questions and answers for prospective sitters
Why are you making this about race?
To put it bluntly: I need more experience painting sitters other than white people, and there’s only so far I can develop my skills by painting photographs of strangers. It’s my goal to paint thoughtful, meaningful portraits, and the only way to do that is to work directly with live sitters. That means deliberately reaching out to people of color and asking them to sit for a portrait.
Why make a personal growth exercise into a project?
White artists have a long history of creating art about subjects of color for their own profit, often without permission, framing stories through their own lenses while silencing or denigrating original narratives.
The project establishes an accountability framework for me as a white artist: it requires me to acknowledge the extractive, appropriative behavior of so many artists who came before me, and to recognize that building trust with potential sitters is a critical part of the process.
The formal structure defines my intentions for potential sitters to consider before participating. If sitters accept, it’s my job as an artist and a person to collaborate with them, honor their wishes, and do my best to ensure that my actions match my objective.
Can white sitters participate?
Of course. I’ve drawn and painted white sitters hundreds of times, and plan to include portraits of white sitters in the show.
What does gift economy mean?
‘The currency in a gift economy is relationship, which is expressed as gratitude, as interdependence and the ongoing cycles of reciprocity. A gift economy nurtures the community bonds that enhance mutual well-being; the economic unit is “we” rather than “I,” as all flourishing is mutual.’ — Robin Wall Kimmerer, “The Serviceberry: An Economy of Abundance “, Emergence Magazine.
How will this gift economy work?
To become a better portrait artist, I need to paint lots of portraits, which are ultimately very personal works of art. If sitters are generous enough to trust me with their time and whole selves, I should be generous in return; sitters will receive the photographs, final painting(s) and all rights to their images.
No money will exchange hands; only reciprocal gifts of time and narrative.
Further reading
“Corn Tastes Better on the Honor System“, Emergence Magazine.
Do sitters have to pose naked?
Only if they want to. Sitters determine the direction of the photoshoot, choose the location, and select whatever clothing, activity and additional items they’d like to include in their portrait.
Who will take the photos?
For BIPOC sitters, I plan to work with photographers who have experience taking pictures of models with dark skin. I’m currently making queries and will add more information soon.
Sitters may use their own photographer if they choose. Photographers will be paid for their time.
What happens to the photos?
Sitters will receive copies of all photos taken. If a sitter feels unhappy with the photos, we can stop the process there, and I won’t hold on to my copies. Photos won’t be posted online or in print without the sitter’s permission.
Can sitters pick their portrait photo?
Absolutely. If a sitter has a photo preference, that’s what I’ll use for their painting.
What size will the paintings be?
Paintings will be 9″x12″ (slightly larger than a normal piece of paper) or larger to accommodate the portrait.
What materials will you use?
Preliminary paintings will be on thick, canvas-textured painting paper and final portraits will be painted on artist-grade medium-density fiberboard (masonite).
I’m working in oils lately, but I can also work in acrylics or watercolor if you prefer either of those mediums. Have a look at the Studies section to see which feels right to you.
Who keeps the final portrait?
The sitter receives the painting, and may do whatever they choose with it. If sitters feel comfortable doing so, their final portrait can be included in the show, but there is no pressure to do so. Sitters may also have preliminary or unselected sketches or paintings if they like.
When will the show happen?
I have a preliminary show on December 1st, 2023, hosted by Salon Noir 121 as part of Kalamazoo’s December 2023 Art Hop. I don’t have many complete portraits at this point, so I will display selected studies and figure drawings. I hope to continue painting through the winter and have a larger portrait exhibition in 2024.
Will you sell the paintings?
No. The sitters retain ownership of their portraits. When the show ends, I’ll return each portrait to its respective sitter.
Will you make prints or posters of the paintings?
No. These paintings are in the gift economy, and I will not monetize them in any way. Sitters may permit use of their portraits in my online and print portfolios for self-promotional purposes, but this is not a requirement for participation in the project.
Sitters retain all rights to their images, and may make their own prints or posters of their photos or portrait as gifts for friends and family.
Do sitters get a voice in the show?
Absolutely. Sitters may opt in or out of the show, will select which portraits are shown, and are encouraged to write their own statement or include their own art for display alongside their portrait.
Exercises and challenges done in preparation for the project
Likeness Practice
Timed Practice
Oil portrait, 8 hours.
Challenges: CMYK Palette, large brushes only.
Photo credit: Erik Lucatero, via unsplash.com
Timed Practice
Oil portrait, 2 hours.
Challenges: Likeness, Monochrome palette
Subject: Jo
Photo credit: Joshua Diedrich
Timed Practice
Oil portrait, 10+ hours.
Challenges: Likeness, Full-length
Subject: Tiffany Van Peenen
Photo credit: Jane Irwin
Likeness Practice
Oil portrait, 50+ hours.
Challenges: Likeness
Subject: Afua Richardson
Photo credit: Afua Richardson
Likeness Practice
Oil portrait, 50 hours.
Challenges: Likeness, limited palette
Subject: Prince
Photo credit: unknown
Timed Practice
Oil portrait, 4 hours.
Challenges: Timed practice, CMYK Palette, large brushes only.
Photo credit: Kimson Doan, via unsplash.com
Likeness Practice
Oil portrait, 20+ hours.
Challenges: Likeness, Self-portrait
Subject: Jane Irwin
Photo credit: Jane Irwin
Inspiration: Sky Arts Portrait Artist of the Year
Timed Practice
Oil portrait, 4 hours.
Challenges: Timed practice, CMYK Palette, large brushes only.
Photo credit: Tammie Allen, via unsplash.com
Timed Practice
Oil portrait, 8 hours.
Challenges: Timed, CMYK Palette, large brushes only.
Photo credit: Lucas Gouvêa, via unsplash.com
Likeness Practice
Likeness Practice
Acrylic portrait, 20+ hours.
Challenges: Zorn Palette (plus ultramarine).
Subject: Kurt Vonnegut.
Photo credit: Fred R. Conrad, New York Times
Likeness Practice
Acrylic portrait, 20+ hours.
Challenges: Likeness, limited palette
Subject: Robin Wall Kimmerer
Photo credit: Matt Roth, The Intercept
Likeness Practice
Watercolor portrait, 10 hours.
Challenges: Likeness
Subject: Stacy Abrams
Photo credit: Ethan James Green, Vogue
Likeness Practice
Watercolor portrait, 10+ hours.
Challenges: Likeness
Subject: Samin Nosrat
Photo credits: Chris Sorenson, Money; Uncredited, The Times
Likeness Practice
Likeness Practice
Acrylic portrait, 10+ hours.
Challenges: Likeness, Monochrome palette
Subject: Blake Eason
Photo credit: Joshua Diedrich
Anatomy Practice
Watercolor portrait, 10+ hours.
Challenges: Anatomy, Monochrome palette, Full-length
Subject: Uncredited
Photo credit: Anthony Patrick Manieri, whose Arrested Movement portrait series is one of the inspirations for this project.
Likeness Practice
Acrylic portrait, 30+ hours.
Challenges: Likeness
Subject: David Magoon
Photo credit: Ruth Magoon

BFA in Figure Drawing and Literature. Made comics for about 15 years, took a break to care for my family and health. Felt the need to paint again, with a focus on portraiture. Started the project to improve skills and studio productivity.